Η Ντιλιλί στο Παρίσι
The new feature film by Michel Ocelot (Kirikou and the Sorceress, Azur and Asmar) has the art and science aligned to save the world from gender-based catastrophe.
It would be easy to tell that Michel Ocelot comes (at last) to making a Paris-based (and a European-based) film after travelling in magic and wonder in Africa, Asia and so many worlds of princes and princesses. In reality, though, the new solid -but ultimately not completely satisfying- Belle Époque mystery of Dilili à Paris (Dilili in Paris). Continue reading